Kerridge's album 'Always Offended Never Ashamed' offers a signature technoid apocalypse sound with influences of Japanoise, glitch, Emptyset snares, and early Portion Control. The album oscillates between propulsive, kick-oriented tracks and those that focus on the bastardisation of tension between the beats. 'MPH' is a torturous, claustrophobic masterclass in stasis, while the album as a whole is curiously spacious and motoric.